The MVMXPRO500US XPRO Monopod from Manfrotto is a 4-section aluminum video support equipped with Manfrotto's FLUIDTECH base and a 500-series fluid tilt head.

A versatile kit for nearly any videographer or filmmaker, the MVMXPRO500US can often travel places tripods cannot, providing additional stability and supporting heavy equipment when required. The 4-section design, paired with an aluminum construction, results in an easy to transport setup weighing just 4.6 lb. With a maximum height of 79.9" and a minimum height of just 30.7", the MVMXPRO500US can be adjusted to suit users of varying heights and for various different tasks.

While the design of a monopod is relatively simple, the Manfrotto Monopod+ line utilizes some innovative features which make using the MVMXPRO500US fast and easy. The primary feature of the line is the inclusion of Manfrotto's patented Power-Lock flip locks which snap open and closed to ensure fast operation and a tight, unyielding lock. The D-shaped leg sections have been designed not only to compliment the Power-Locks but also to prevent unwanted twisting between leg sections and increase the stability of the monopod. The integrated FLUIDTECH base utilizes a "3D" fluid cartridge which facilitates smooth pans and tilts from a single connection point. The cartridge may be locked vertically to isolate movement to only the 360 degrees panning axis, allowing for smooth, level, uninterrupted rotation. While engaging the vertical lock may allow the monopod to stand, it does not support free-standing function and should not be left unattended when not in use.

The MVMXPRO500US also includes a modified 500 series fluid head which allows the user to tilt their camera forward and backward on a counter-balanced mechanism. The head may be used while moving freely or locked in place via a side-mounted knob. Control of the head is facilitated by a single, long control arm which may be adjusted to the height of the user. A 500-series quick release plate is also included, allowing for quick vertical mounting and dismounting of your camera or camcorder.

Additionally, the Monopod+ line also features Manfrotto's standard rubber leg warmer for an improved grip and an adjustable hand strap for extra security. A 1/4"-20 and 3/8"-16 mounting thread is provided under the 500 series head should the user choose to use the monopod without a head for direct camera mounting.

• Metal filter holder adapter ring for Haida 75 Pro Series Filter Holder
• Suitable for 43 mm lens diameter

The Haida Multi-coating Circular Polarizing (PROII) filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze. A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies and foliage.

A circular polarizer only differs from a linear polarizer in that it contains a quarter wave plane in addition to the linear polarizing filter. The addition of this quarter wave plane is to circularly polarize the linearly polarized light for the use of auto focus and exposure functions. Due to how the light is broken down and filtered with a linear polarizer, auto focus and exposure accuracy become skewed during use. When the light becomes circularly polarized, it permits the use of these functions.

Haida MC C-POL (PROII) filters are constructed from high quality glass for increased optical clarity and color fidelity. They feature an aluminum filter ring for durability as well as jamming prevention. This filter is both an anti-reflection coating as well as a protective surface. It helps to increase light transmission by reducing reflections, scattered light, and ghosting. Additionally, it offers greater protection to the filter substrate and stays cleaner for longer than uncoated filters.

• Digital water proof and scratch resistant multi-coating offers both protection to the glass and helps to improve light transmission and image quality.
• High quality aluminum filter ring helps to prevent jamming and provides additional strength.
• Constructed from high quality glass for optical clarity.
• The slim filters are specifically designed for use with wide angle lenses.

Building on the success of the VideoMic Pro, the defacto standard for DSLR on-camera audio, and RODE�s original Stereo VideoMic, the new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene.

Based around a matched pair of high sensitivity 1/2" cardioid condenser capsules in a coincident XY pair, the Stereo VideoMic Pro provides a wide stereo image with natural depth.

The Stereo VideoMic Pro builds on the feature set of the VideoMic Pro, with an ergonomic form factor perfectly suited to DSLR, consumer camcorders and large-sensor video cameras. The integrated shock mounting system provides superior isolation from vibration and mechanical noise that can otherwise degrade the recording quality. Additionally the lightweight yet robust multi-strand cable provides excellent acoustic decoupling from the camera and offers significantly lower noise transference than traditional audio cable.

The user friendly designed rear of the microphone body features the power and equalisation controls, including a high pass filter at 75Hz which is designed to cut out the noise generated by air conditioning, traffic and other undesirable low frequency interference.

A -10dB PAD allows the user to reduce the sensitivity of the microphone, making it suitable for recording loud sound sources such as live music or at sporting events.

Like the VideoMic Pro, the Stereo VideoMic Pro features a +20dB level boost specifically designed to provide a higher quality signal with DSLR cameras. When activated, the typically low quality camera preamp level can be reduced, resulting in a lower noise floor and much clearer recording.

The RODE Stereo VideoMic Pro is designed and made in Australia, and covered by RODE Microphones' industry leading 10 year warranty.

The Fujifilm X-E3 borrows much of its hardware from the X-T20, including a 325-point AF system with a new AF Area All option that activates various modes as the AF point size is changed. The camera also uses and updated subject tracking algorithm that claims better success tracking smaller and faster objects. Video recording at 4K/30p is offered, taken by the full width of the sensor. Full 1080 HD can be had at up to 60p. The X-E3 continues to offer Wi-Fi, and adds the option for a constant Bluetooth low energy connection to a smartphone.

The X-E2S's 3" 1.04M-dot LCD has been upgraded to a touchscreen in the X-E3, and a new feature called Touch Function puts additional customizable touch controls at the user's fingertips. The camera's rear control panel loses the directional navigation buttons in favor of touch control, but gains an AF joystick.

Panasonic's GX9 is a 20MP interchangeable lens Micro Four Thirds camera. Its sensor does not use a low-pass filter in an effort to maximize sharpness, and an L/Monochrome D Photo Style is included for fans of black-and-white film. The GX9 does not offer weather-sealing, unlike the GX8 and G9.

The GX9 offers a 2.7 million-dot (equiv) EVF that tilts 90 degrees upward, and a 1.2 million-dot touchscreen that tilts up 80 degrees and down by 45° � a departure from the G9 and GX8's fully articulated screens. An electromagnetic drive claims to reduce shutter shock by 90%, an attempt to mitigate the shutter-induced softness we saw in previous GX-models. The camera relies on contrast detect autofocus with the help of Panasonic's Depth from Defocus technology when Panasonic lenses are used.

Naturally 4K/30p/24p video is present with all of the affiliated 4K Photo Modes, including two new ones: Auto Marking and Sequence Composition. Auto Marking allows the camera to identify movement in a 4K clip and set a marker to quickly jump to the action, and Sequence Composition makes it easy to create composite images of action in-camera. In-body 5-axis stabilization combines with dual-axis optical stabilization, resulting in a claimed 4-stop reduction in shake. Wi-Fi and Bluetooth are available for quick image sharing.